![]() ![]() There appeared to be tension between Brentford's players and some of the Nottingham Forest groundstaff before kick-off at the City Groundįrank said his goalkeeping coach was injured after a pre-match altercation with a Nottingham Forest groundsman. But I have real mixed feelings about how the game went today and I am finding it hard to bite my tongue." Frank: Tough goal to take in stoppage time "Great to show heart and soul at the end of the game and keep going and get something out of the game. The first one is unlucky, but we shouldn't let them get into that position. "But I am also looking at the last 10 minutes of the first half and the goals that we conceded. Luck went against us in terms of the officiating. The system let the referee down, more than a little bit. "We feel hard done by, that is pretty plain to see. We feel the one on Emmanuel Dennis in the first half is worse, we feel the one against Ryan Yates in the first half is worse than the one that was given against us and then on Morgan Gibbs-White in the second half. ![]() My feeling is, if he gives one he has to give four. "You're going to ask me about the penalty decisions. "I didn't like the last 10 minutes of the first half, we made some unforced errors that gave Brentford some decent positions, which were self-inflicted. "I thought if anything we should have been more. "We played really well in the first 35 minutes and I thought we were good for the lead," said Cooper. Nottingham Forest head coach Steve Cooper said Brentford's penalty should not have stood, but as it was given his side deserved three spot-kicks themselves.Įmmanuel Dennis, Ryan Yates and Gibbs-White all had penalty appeals turned down, with VAR refusing to intervene in any of their cases as it did with Wissa's in first-half stoppage-time. The venue reserves the right to refuse admission.Nottingham Forest boss Steve Cooper felt a number of decisions went against his side in their 2-2 draw with Brentford Only tickets purchased through approved ticket agents are valid for admission. Ticket sales are limited to a maximum of 6 per person. The resale of a ticket renders it invalid and may lead to refusal of entry. Tickets sold via third parties and other unauthorised outlets, including online auction sites, are not valid for admission. Your ticket/s will IMMEDIATELY BECOME INVALID if resold OR OFFERED FOR SALE unless the sale is through the Artist’s official re-sale channels as advertised, or ticket agent fan to fan exchange (where applicable). By accepting these terms and conditions you confirm that you are a consumer. Any tickets purchased by business or traders in breach of the terms and conditions of ticket sale will be cancelled. Your ticket/s are sold by the promoters directly to you the consumer. This ticket must be surrendered to the promoters upon request. Your ticket purchase constitutes a personal, revocable license and, at all times, remains the property of the promoters. Recent tours have seen Hackett celebrate his time with Genesis including a spectacular 2018 tour in which he realised a long-held ambition to perform the works of Genesis live with his band and an orchestra. For his studio works The Night Siren (2017) and At The Edge Of Light (2019) Hackett has also explored the influences of world music. Hackett’s compositions take influences from many genres, including jazz, classical and blues. He has also worked alongside Steve Howe of YES in the supergroup GTR. Hackett is renowned as both an immensely talented and innovative rock musician and a virtuoso classical guitarist and composer and this was recognised in 2010 when he was inducted into the Rock And Rock Hall Of Fame. Steve Hackett joined Genesis at the beginning of 1971 and gained an international reputation as the guitarist in the band’s classic line-up alongside Peter Gabriel, Tony Banks, Mike Rutherford and Phil Collins.Īfter leaving Genesis at the end of 1977, Hackett’s solo career, which now spans more than 30 albums, has demonstrated his extraordinary versatility with both electric and acoustic guitar.
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